Frankfurt discovery art Fair2025년 11월 6 - 9 독일프랑크푸르트 디스커버리 아트페어 6-9 November 2025
- 갤러리 내일 (Gallery Naeil)
- 11월 4일
- 3분 분량
최종 수정일: 7일 전
Min-Joo Lee
Min-Joo Lee
1957 born in Seoul, Korea
1980 BFA, Seoul National University, College of Fine Arts
1982 MFA, Seoul National University
Between 1987 and 2024, more than 60 international solo exhibitions,
including in the United States, Germany, Spain, and China
Over 700 group exhibitions across five continents
The horse bows its head – as if in meditation. It appears somewhere on the canvas: in a golden cloud, in the light, between heaven and reflection. As it moves through the image mirrored on the water, its existence gradually expands – and with it, the painting itself continues to unfold.
The horse embodies light and darkness, peace and the fear of life after death.
In the reflection of its portrait on the water’s surface, in the countless black and concentric circles, the artist herself is re- vealed. With innumerable brushstrokes, she moves between presence and the beyond, contemplating life and the suffering of her mother – her protection, her transience, her future
Jong-Gou Lee
Jong-Gou Lee
Born in Daejun, Korea, in 1965
1990 BFA Hong-Ik University, Seoul, Korea
1999 Diploma from the University Berlin of the Arts under Prof. Volker Stelzmann
2000 Master student
GASAG Art Prize 2000
30 international solo exhibitions, including in
Seoul, Tokyo, Gobe, Berlin, Hamburg, Paris
“When form becomes visible, meaning disappears—and when meaning disappears, indifferent form emerges.” The focus is on capturing, beyond the mechanical repetition of visual forms, that sensation which appears at the threshold – before the form emerges or after it has disappeared. The “X-lines” that have been persistently repeated up to now are transformed into a network of intersecting and overlapping lines. This has the effect of a rhythm of life, a movement of cyclical time.
Chang-Soo Lee
Chang-Soo Lee
Born in Cheonan, Korea, in 1961
1989 BFA in Painting, Hongik University
1994 MFA in Painting, Hongik University
2013 Doctorate in Painting, Hongik University
Over 30 international solo exhibitions, including in Italy, France, and Japan
Chang-Soo Lee creates works that resemble bas-reliefs. He uses a uniform texture and
arranges linear marks on a flat wooden board, applying a thick paste made from Korean
paper (hanji) to the surface. Once the paste has hardened, he peels it off,
leaving behind a unique texture. The flat base provides a uniform tactile foundation
for the convex geometric shapes that emerge. The strength and flexibility
of the hanji paper transforms the smooth, neutral wooden surface into a sensitive field of breathing symbols. Seo Guil Heon (art critic, PhD in plastic arts)
Uwe Jonas
Uwe Jonas
Born in Hanover, Germany, in 1966
1997 Master student and diploma, Academy of Fine Arts, Munich
Lectures at art colleges in South Korea, the USA, and Thailand
International solo exhibitions in France, South Korea, Thailand, Japan, and elsewhere
Numerous national and international scholarships and grants
Public acquisitions, represented in private collections
My interest lies in natural stone as a cultural material and carrier of iconographic meanings. It functions both as an object fetish and as a useful building material—a medium between symbol and function. The stone is deprived of its typical heaviness and massive- ness; instead, it appears as a reflector of light and as a regulator of the opening or demarcation of space. Although the stone struc- tures are matter at rest, they oscillate visually in the field of tension between these observations and events – between materiality and immateriality, presence and appearance.
댓글